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#221 (permalink) | |||
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Senior Member
Join Date: Oct 2007
Location: Virginia
Posts: 1,554
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I'm saying if you own a DVD, you have the right to see what is on that DVD as many times as you want. Quote:
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You are a sad, disgusting, despicable person, who will contort his thinking into any way necessary to justify theft. You have admitted that there is ownership of art. You had to admit it to not make yourself look like a giant fucking asshole by saying I can profit off of KATG. It doesn't matter what you believe other than that; by believing there is ownership of art, it is possible to steal art. You want to destroy all of artists' rights, just because the consumer was slightly inconvenienced. And yet you're not anti-art.
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#222 (permalink) | |
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Senior Member
Join Date: Oct 2007
Location: Virginia
Posts: 1,554
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You have dodged all of the proposed changes to law, because they amend your complaints without granting you the ability to steal. Naturally, that is no good. You must steal. So you must make it an issue of RIAA or pirating, NOTHING ELSE. |
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#223 (permalink) | ||
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Senior Member
Join Date: Jan 2006
Posts: 896
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You're also wrong about digital recording and the drop in production costs. You're still buying 'studio time' when you record and that's not likely to drop just because the tools have improved. Sure amateurs can cut pretty nice sounding records on a home built DAW nowadays (much better than those shitty ADAT machines, which were digital too), but most professional bands (artists that produce music for a living), and not just top 40 artists, still record in professional studios. These studios still cost millions of dollars. Just head over to Gearslutz.com and check out the 'High End' section. You'll be surprised at the costs involved into putting together a pro-level studio. Gear alone will easily put you over a couple $100k, then factor in room designs, acoustic treatment, and operating costs. Multi-million dollar studios haven't disappeared. Neither have the costs of marketing and promoting an album. Quote:
Last edited by golgi body; 06-26-2009 at 06:31 PM. |
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#224 (permalink) | |
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Senior Member
Join Date: Mar 2008
Location: Edmonton, Alberta, Canada
Posts: 133
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I'm not saying that it isn't wrong to pirate music, I'm just saying that it's wrong for different reasons, from a consumer's standpoint in it being unfair to other consumers who are paying for music. A real artist would be happy that their music was getting out there and that people actually want to listen to them.
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#225 (permalink) | |
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Senior Member
Join Date: May 2007
Location: pacinian corpuscle.
Posts: 1,860
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Stealing music, by downloading MP3s with no intention of purchasing them, hurts the RIAA. Why? BECAUSE IT HURTS THE FUCKING ARTIST. Once the RIAA is dead and gone, sharing MP3s (with no intention...) will ONLY hurt the artist. I've already told you the most effective way to bring down the RIAA. STOP LISTENING TO RIAA-BACKED MUSIC. You'll fucking decimate them. You dumb fucks are just too chicken shit to do what's needed. |
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#226 (permalink) | |
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Senior Member
Join Date: Oct 2007
Location: Virginia
Posts: 1,554
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#229 (permalink) | |
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Senior Member
Join Date: Apr 2006
Posts: 881
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browneyedbitche's last point was based on lack of understanding of the current law, i wasn't dodging anything, i gave her material so she could understand, her stance was a misinformed one. for the last couple pages i've been trying to help you finally express your point of view, which you really need to do because you started out yelling 'thief thief' and we all thought you were saying 'thief' based on copyright law and the system. you were very anti-theft and anti-changing the system. at around page 19 you finally clarified that you were going 'thief thief' based on your own ideals and morals because based on the current law you are too a thief. what i don't understand, and i assume it's because you've been evolving your point throughout this which is fine, but when i said that the concept of stealing is defined by the state, you said i was an idiot? however now you say that you would like to change the state's concept of being a thief not to include making digital copies for your own personal use. so now we're in the process of understanding your point of view for what you think is right and what should be implemented in the future. as far as i've seen the people who say my point of view is fundamentally morraly wrong are people that admit they haven't read the thread and don't understand my point, or don't understand the current copyright laws and the main argument against my model is that i'm a thief which by today's us law i am and is missing the point entirely. and also you making shit up and not understanding my model and then scolding me for what you think i believe and not what i've said even when the stuff you invent me saying completely contradict my point. a lot of this thread you've been arguing against yourself. what i want is to understand your concecpt of 'owning art' as another possible way to move into the future, as you've explained it so far i see a flaw that you're not addressing. don't just say i'm wrong and move onto attacking me, explain why you're right. can you take a break for a little while and just explain your concept of 'owning the art'. and start by directly answering these questions in as short and clear manner as possible. if you own the art, why does paying for the rights to watch a movie in a movie theatre not give you the rights to the art? under your model can you take a video camera into a movie theatre if you're only using the copy for your own personal use? what are the limits of owning art? if i purchase a cd, can i play it for my friends where 2 of the 3 present do not own a copy of the art being played? what gives them the right to the art? what if one of my friends listening pulls out their cell phone and makes an exact copy using the microphone to record the song at better than cd quality, which he then uses for his own personal use? is he breaking the law? am i breaking the law? under your model is playing the same cd, in my driveway while i sit on my porch breaking the law? what if 5 of my neighbours gather and listen to it without them owning the art being played? what if 20 gather and i don't even know some of them? what if someone pulls out their cell phone and makes an exact copy for their own personal use? did that person steal? did that person steal from me or the artist? |
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#230 (permalink) | |
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Senior Member
Join Date: May 2007
Location: pacinian corpuscle.
Posts: 1,860
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yay, yoav! Finally this is getting somewhere, you've made some good points.
Stable systems have negative feedback loops. In social systems, I believe the stasis reached is called a compromise, and I finally feel like we're getting to one. I'll leave it to Bob to do a line-by-line analysis, but I think most of the vitriol for your position was due to statements like: Quote:
(And if you're a good student, no legitimate university will kick you out without giving you a fair chance to prove the originality of your work.) The current anti-consumerist laws are purely caused by business protecting its interest, which it felt was eroded by people eschewing the purchase of music, to simply 'borrowing' a copy online. ie. FILE SHARING CAME FIRST, NOT THE DMCA. Both of us are idealistic. In your view, by sharing digital content, artist exposure would increase, resulting in a net benefit to the artist. In my view, if we all agree that inappropriately licensed digital content should not be shared, all draconian laws would be lifted. I truly believe the industry is overreacting purely because people download CDs and DVDs with ABSOLUTELY NO INTENTION of purchasing them. They are satisfied with the downloaded copy. It provides them with all the satisfaction that a purchased copy would provide. You and I are probably not those individuals, but by rah-rah'ing file sharing, little children will feel better about decimating a potential market. The idea of ownership of art by the consumer is only viable if the consumer does not share said art widely. How do you define 'widely'? How do you pick an age of consent? Compromise.
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