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#231 (permalink) |
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Senior Member
Join Date: May 2007
Location: pacinian corpuscle.
Posts: 1,860
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While we're posting examples, here's one that I deleted.
- What if j2x is asked to create a blueprint of a house for a customer. - He spends 20 hours and charges the customer $100 for the blueprints. - Satisfied customer uses prints to build house and emails a copy to a friend also interested in constructing a house. - Interested friend, also satisfied with the blueprints, forgoes j2x's services, and builds house using emailed copy of blueprints. -- Should j2x have any recourse, or should the laws be purely on the consumer's side? ------------------------------------------ Under your position, is software like Pirates of the Amazon morally acceptable? (It places a one-click torrent button right under the Purchase button on Amazon pages for CDs and DVDs) Will all people who download the torrent, come back and Purchase a slightly different MP3 from Amazon after 'sampling' the content?
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"ur violating my human rights. lol this is pakistan." Last edited by dzagama; 06-28-2009 at 11:29 AM. |
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#232 (permalink) | |
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Senior Member
Join Date: Apr 2006
Posts: 880
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my model is based on artist's intent. so j2x would sign a contract before beginning work. if the builder he gives the blueprint to violates the contract, they are liable for breaking said contract. If he has a 9-5 job drawing up blueprints for a firm then the firm owns the content he produces and it's their responsibility and content to protect. if he sends his work over to china, he knows it will be used without compensation and he accepts the risk of releasing his content in that way. pirates of the amazon is really innovative, but in my model it has no increased/decreased moral value. it's simply a means of organizing information differently, the same torrents are available with or without it. it's really just slightly easier than having two tabs open, one with amazon and one with the pirate bay. the question of satisfaction is a weird one, i know people that could listen to a song off a tin radio and not be able to tell the difference between the same song on a $300,000 sound system, and other people who are only satisfied with vinyl. the vast majority are satisfied with mp3's which sound like shit to me. an mp3 is not in ANY way close to the quality of the master recording and the experience of listening to one is not in any way comparable to being at a live performance no matter how sophisticated your stereo is. just as a print of georges seurat's - a sunday afternoon on the island of la grande jatte is not in any way comparable to standing in front of the original. i don't think capitalism is conducive to art, i think it hurts it. some of the best art was produced at a time when it was commissioned. shakespear mozart van gogh etc etc. or when done for the love of art like banksy YouTube - banksy in my opinion an artist selling copies of their work is pathetic. and as it pertains to music if you're satisfied just listening to the music you don't care about the art. art is about conveying an abstract notion, you should understand what the artist is about and the subtleties of what they're saying through their art. that understanding and connection has an impact on the listener who then wants to support the artist. i think capitalism and greed of record labels has skewed and dictated the use of technology, and i think now that it's free for artists to distribute their work record labels are merely one road to distribution, and the artist has to make a choice:
this is the world as i see it, organizations like the riaa are having a knee jerk reaction and attempting to override the rights of people in an attempt to maintain their control and continue to exploit something as fragile as art, and something as stoned as the artist. this fear campaign is part of that knee jerk reaction to the currently legal and illegal emerging use of technology that threatens cutting out their middle-man-ness and rendering them obsolete. ie: itunes, amazon, pandora, itunes genius, torrents, websites, social media. the purpose of this thread was to post your itunes collection as a way of telling that maniacal organization to fuck off. to make a farce of their litigation tactics. they just lost a case where they sued someone for illegal downloading and the defence didn't even own a computer at the time of the aligations. the amount i 'owe' the riaa was calculated including podcasts, my own recordings, scott sigler style audiobooks, sxsw, cc licenced material, etc. as well because those are all dollars that would have 10 years ago gone to record labels, and publishing companies. which i think is just as big a fuck you as the digital copies of music i have that would have been illegal to download in the states. where the riaa defines copyright law via lobbying great sums of money in everyone's direction earned by sueing old ladies who settle out of court out of fear. if we're all against the riaa, why aren't more people posting their fuck you to the riaa. |
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#233 (permalink) | |||
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Senior Member
Join Date: Nov 2006
Posts: 871
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If you want a better idea of this, when films first came out, filmhouse managers would edit films as they wanted to by cutting out of the filmstrips parts of the movies they personally deemed inappropriate. When the first film censorship boards came up, they put together legislation that caused that to happen. Such laws went into place also preventing filmhouse managers from further editing films because they personally didn't like the content. If such laws were not in place, the same editing would be happening today. That would be a patron of the theater having the rights to the art. Quote:
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Yoav, you have made some interesting points, but the fact that you don't see this is beyond bizarre to me.
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#234 (permalink) |
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Senior Member
Join Date: Dec 2007
Location: Lincoln, Nebraska
Posts: 412
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He sees what you are saying. The problem is that Yoav thinks he's right and won't even give an inch into what the rest of you are saying. It's ridiculous to have this many pages explaining something illegal in the United States and not Canada. THEY will never see it (They being Yoav and j2x) your way.
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#235 (permalink) | |
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Senior Member
Join Date: Nov 2006
Posts: 871
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#236 (permalink) | |
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Senior Member
Join Date: Nov 2006
Posts: 871
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#239 (permalink) | |||||||||||
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Senior Member
Join Date: Oct 2007
Location: Virginia
Posts: 1,554
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Yoav, you already admitted copyright exists.
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It cannot be wrong to profit off of someone else's work without ownership of art. If ownership of art exists, taking owned art without consent is theft. You can't agree to it or not agree to it; it is a byproduct of copyright existing. Quote:
Secondly, don't fucking dare try to pretend that I have been anything but exceedingly clear on my points. I quote EVERY SINGLE point you make and address ALL OF THEM. You spent 19 pages yelling about the RIAA, and it was only after I reiterated myself a thousand fucking times that you finally gave that up and realized I am not arguing for the RIAA. You're only recognizing that I am saying what I am saying because it's finally become apparent to you that you cannot continue to try to associate me with the RIAA. I am anti-change. Anti- the change you think is necessary. You are arguing for a change in how art is treated as a whole. Just because there are a few issues wrong with copyright protection legislation in the US doesn't mean I'm pro-overhauling the system; I'm not. That's been fucking clear from the beginning, but you need things repeated. Quote:
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There are very clear circumstances where something is stealing. Like when I steal your TV. Or steal someone else's artistic product. I have already told you why ripping a purchased CD to my hard drive is not stealing, and you have not cared to dispute it. As I have already said, tell me how the fuck that's stealing and I will address it. Otherwise, stop grasping at straws. Quote:
SHOW ME WHERE I HAVE INVENTED YOU SAYING SOMETHING. SHOW ME WHERE I HAVE NOT UNDERSTOOD YOUR MODEL. IF YOU DO NOT SHOW ME ANYTHING, YOU ADMIT THAT YOU ARE A LYING BITCH. Quote me on anything, and I will show you what I was talking about. Quote:
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Don't even fucking dare try to pretend that playing music for a couple friends = giving them all free copies of the music. Quote:
Really? Quote:
Why is it that you've decided the SLIGHTEST INCONVENIENCE to the listener is worth the COMPLETE ANNIHILATION of artists' rights? That's clearly what you're searching for. Quote:
The number of them who have copies of the music is still 0. And as far as your rambling about capitalism and whatnot goes, it's entirely irrelevant. The economic system does not change the fact that an artist has a right to own his art, in whatever economic system he lives in. Interesting how you rip on capitalism after using it for a defense of your thievery; fickle friends, no? I guess once it can no longer act as a justification for thievery it is worth nothing to you. By the way, I like how you try to rally back to the original point about the RIAA. And I reiterate: I have far less of a problem with an organization that fucks thieves over than a person who steals from artists. I have no desire to stick it to The Man; I want to help The Man kick your teeth in.
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#240 (permalink) | |||||||||||||||||
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Senior Member
Join Date: Apr 2006
Posts: 880
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it is only wrong to profit off someone else's work if the artist's intent is that you do not. my point of view has nothing to do with ownership of art or copyright, it is has to do with the artist's intent. i wrote a couple of big, perhaps confusing for you, paragraphs on this earlier in the thread, the only possible way for you to so drastically misquote me is for it to have gone wayyy over your head(misquote count = 2) Quote:
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all the laws about theft and ownership are not your ideas but the state's. every last one, if you think there's some fundamental right to own things than you're wrong. you clearly can't climb out of the box that is your countries rampant corruption. Quote:
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refer to the misquote count above, it's common in your replies to me. refer to the misquote count above, it's also common in your replies to me Quote:
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what if that cell phone is connected to the internet and instead of recording the friend streams the music to 3 million listeners, no profit is being made anywhere. is that ok under your model? what if a bunch of those listeners make recordings for themselves and some others stream it to 5 million more listeners? this is dodging the question again, these are things the current copyright law accounts for, i'm not reduced to anything but pointing out the holes in your model, and what you have not explained in the change you want to create in the system, please answer the question. if i play a cd i purchase on my porch or in a public space is that legal under your model? Quote:
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what if someone pulls out their cell phone and makes an exact copy for their own personal use? did that person steal? did that person steal from me or the artist? Quote:
b) you're completely wrong and need to read about different styles of government and economics. Quote:
i think it's weird that we both want change, but you don't seem to do anything to bring about that change. i think it's fucked up that you're pro a small amount of change but so utterly blindly and aggressively against anyone that wants a different amount of change than you. you must be a god in your world view, which oddly enough is a juvenile one. |
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